Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
A unique landscape painting in the existing body of Chen Hongshou’s art, this painting reveals his involvement with the practice of fang (imitation) to achieve creative transformation. Chen acquired the tradition stemming from Dong Yuan of the Five Dynasties, with which he sought an artistic individuality that lends his work an idiosyncratic vision and extraordinary power.
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Paintings after Ancient Masters: Autumn Landscape
Paintings after Ancient Masters: Landscape in the Style of N
Paintings after Ancient Masters: Narcissus and Bare Trees
Paintings after Ancient Masters: Scholars in a Garden
Paintings after Ancient Masters: Daoist and Crane in Autumn 
Paintings after Ancient Masters: Mr. Five Willows (Wuliu), T
明 陳洪綬 樹下高士圖 軸|Scholar-recluse in blue-green landscape
Paintings after Ancient Masters: Rock, Old Tree, and Bamboo
Gong Xian (Chinese, 1599–1689) — Landscape in the Style of D
Landscape![Summer Mountains (after Dong Yuan [active c. 937–75])](https://openaccess-cdn.clevelandart.org/1992.1/1992.1_web.jpg)
Huang Gongwang (Chinese, 1269–1354) — Summer Mountains (afte
Chen Ruyan (Chinese, c. 1331–1371) — Mountains of the Immort
Wang Duo — 明/清 王鐸 山水圖 軸|Landscape
Wang Jianzhang (Chinese, active 1621–1662) — Solitary Colors
Ren Yu (Chinese, 1853–1901) — Landscape
Wang Jian|Wang Shimin — 清 王鑑 仿古山水圖 冊 紙本|Landscapes in the st
Kan Tenju (Japanese, 1727–1795) — Landscape with Gentle Peak
Ishō Tokugan (Japanese, c. 1359–1437) — Landscape
Zhai Dakun (Chinese, d. 1804) — Landscape
Luo Zhichuan (Chinese, active 1280s–1320s) — Carrying a Qin