Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Towering peaks and unfolding ranges are piled up and overlaid with layer after layer of brushwork to give an overall dense, dark, and even melancholic effect. Gong Xian created a personal style of landscape, which departed greatly from his models Dong Yuan and Juran. The tension between tradition and individuality had been a topic of interest for the Chinese artist. As Gong Xian writes in his inscription: "Painters of later periods may be known for their natural talents or praised for their observance of established traditions. . . . However, those who indulge in showing off their talent will deviate from the tradition, while those who adhere to tradition will alienate themselves from the Dao. The supreme Dao is inexplicable in words. . . ."
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Huang Gongwang (Chinese, 1269–1354) — Summer Mountains (afte
Zhang Xun — 元 張遜 石上松花圖 軸|Rocky Landscape with Pines
Liu Du (Chinese, active c. 1628-after 1653) — Landscape in t
Wang Shimin — Landscape after Wang Meng
Wang Yuanqi — 清 王原祁 為瞻亭畫七發妙劑圖 軸|Landscape for Zhanting
Landscape with Figures
Sesshū Tōyō (Japanese, 1420–1506) — Sunset Glow over a Fishi
Yeoseol (Korean) — Winter Landscape
Li Shizhuo — Landscape: Beautiful Scenery Frozen in Mist
Wang Hui (Chinese, 1632–1717) — Landscape
Kenkō Shōkei (Japanese, active 1478–1506) — Landscape
Wang Jian|Wang Shimin — 清 王鑑 仿古山水圖 冊 紙本|Landscapes in the st