Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Beginning in first two decades of the 16th century, the prints of Marcantonio Raimondi helped popularize compositions by Raphael and his workshop. The sculptural figures and receding landscape in this print are typical of Raphael’s classically inspired work. The Cumean Sibyl , another design after Raphael (1970.597), displays similar landscape elements utilized to depict a pagan subject.
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Speculum Romanae Magnificentiae: Galba, from The Twelve Caes
Hercules, grasping Antaeus at the waist with both arms and l
The Massacre of the Innocents (Without the Fir Tree)
Apollo on Parnassus, Surrounded by the Muses and Poets
Speculum Romanae Magnificentiae: Nero, from The Twelve Caesa
Speculum Romanae Magnificentiae: Vespasian, from The Twelve
Martyrdom of Saint Lawrence
Two Fauns Carrying a Child
Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) — T
Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) — T
Marcantonio Raimondi (Italian, 1470/82–1527/34) — The Pietà
Hendrick Goltzius — Pietà
Hendrick Goltzius — Pietá
Hendrick Goltzius (Dutch, 1558–1617) — Pietà
Mario Cartaro|Michelangelo Buonarroti — The Lamentation of t
Giulio Bonasone|Raphael (Raffaello Sanzio or Santi) — Pieta,
Hendrick Goltzius — Pietà
Hendrick Goltzius — Pietà
Adamo (Ghisi) Scultori|Michelangelo Buonarroti — Vatican Pie
Michelangelo Buonarroti|Master of the Name of Jesus Christ —