Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Goya made these two etchings after Velázquez’s portrait pair reenvisioning the ancient writers Menippus (a satirical playwright) and Aesop (a storyteller). Both men were initially slaves, but became free men. They both appear in the paintings holding books or standing near piles of them, although none of their original writings have survived. Like the portraits of the court dwarves, Goya etched these thinkers on a smaller size sheet of paper than Velázquez’s portraits of contemporary nobles (and sold them at half the price).
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Franc
Rembrandt (Rembrandt van Rijn) — The Persian
Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Franc
Joseph Marie Vien, I — Emir Bachi, plate twelve from Caravan
Francisco de Goya (Spanish, 1746–1828) — Aesop
Giuseppe Longhi (Italian, 1766–1831) — Bust of a Man with a
James McNeill Whistler — La Mère Gérard
Rembrandt (Rembrandt van Rijn) — The Persian
Stefano della Bella — An Old Turk Seated on a Stone
Giovanni Benedetto Castiglione (Il Grechetto) — Head of an o
Captain William E. Baillie|Rembrandt (Rembrandt van Rijn) —
Eugène Delacroix — Mephistopheles Appearing to Faust