● On view now — Gallery 239
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The design of this armor follows an eastern European fashion for lighter-equipped cavalry. Its considerable thickness and weight (about 25 pounds) were meant to protect the wearer’s vitals from the deadly threat of firearms. This armor, however, did not belong to any ordinary cavalryman, but to Holy Roman Emperor Ferdinand II. Ferdinand ruled during the turmoil of the Thirty Years’ War (1618–48), which devastated much of central Europe. Asserting the authority of the Habsburg dynasty, the etched and gilt decoration on the breastplate depicts two of the emperor’s great forebears, Maximilian I on the right and Charles V on the left.
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Italian; Milan — Cuirass from an Armor of Tsar Dmitry I
Italian, Milan — Cantle (Back two piece saddle steels)
Italian, Milan — Saddle Steels (Front three piece)
French — Gorget
Italian; Milan — Demi Shaffron of an Infantry Garniture
Jacob Halder — Portions of a Field Armor
Pompeo della Cesa — Infantry Garniture of a Target (Shield)
Hans Michel — Morion for the Bodyguard of the Elector of Sax
English, Greenwich — Pikeman Armor for an Officer
European — Pair of Tassets
Southern German, probably Augsburg — Morion-Burgonet
Christian Spor — Peytral from a horse armor of Georg von Wol