● On view now — 110B Late Gothic
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Prominent art historians still debate the identity of the artist and the original function of this painting. First attributed to the Neapolitan artist Colantonio (active 1440-1460) and also to the Flemish painter Berthélemy d'Eyck--known as the Master of the Aix Annunciation (active 1440-1470)--the painting is now more likely considered a product of the Provençal school. Undoubtedly it exemplifies the stylistic influences of the Netherlands, Provence, and Italy in the 1400s. The subject may be either a physician or an Old Testament prophet from an altarpiece.
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Hugo van der Goes — Portrait of an Old Man
Ridolfo Ghirlandaio — Portrait of a Gentleman
Jean Fouquet — Portrait of Charles VII
Hans Memling — Portrait of a Man
Bernardino Pinturicchio ; Unidentified artist — Portrait of
Bartolommeo Vivarini — Saint Cosmas (or Damian)
Jan Cornelisz Vermeyen — Portrait of Erard de la Marck
Quinten Massys — Portrait of a Woman
Rogier van der Weyden — Man in Prayer
Bartolommeo Vivarini — Saint Damian (or Cosmas)
Domenico Ghirlandaio (Domenico Bigordi) — Portrait of a Man
anonymous — Portrait of Frank van Borselen, Lord of Sint Maa