FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Prominent art historians still debate the identity of the artist and the original function of this painting. First attributed to the Neapolitan artist Colantonio (active 1440-1460) and also to the Flemish painter Berthélemy d'Eyck--known as the Master of the Aix Annunciation (active 1440-1470)--the painting is now more likely considered a product of the Provençal school. Undoubtedly it exemplifies the stylistic influences of the Netherlands, Provence, and Italy in the 1400s. The subject may be either a physician or an Old Testament prophet from an altarpiece.
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Hugo van der Goes — Portrait of an Old Man
Ridolfo del Ghirlandaio — Portrait of a Gentleman
French 15th Century — Portrait of an Ecclesiastic
Antonello da Messina — Portrait of a Man
Jean Fouquet — Portrait of Charles VII
Hans Memling — Portrait of a Man
Bernardino Pinturicchio ; Unidentified artist — Portrait of 
Bartolommeo Vivarini — Saint Cosmas (or Damian)
Follower of Dirck Bouts — Portrait of a Donor
Francesco Francia — Bishop Altobello Averoldo
Florentine 15th Century — Matteo Olivieri (?)
Jan Cornelisz Vermeyen — Portrait of Erard de la Marck