Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
During Homer’s sojourn in England from 1881 to 1882, he rented a studio on a cliff overlooking Cullercoats Harbor, where he observed the comings and goings of fishing boats. Fishing Off Scarborough shows two young women and two fishermen in a coble as it slices through coastal waters. Carefully rendered in graphite, the figures and fishing boat stand in contrast to Homer’s spontaneous, abstract representation of clouds, mist, and spray done in opaque white watercolor . In addition to employing graphite to describe concrete objects, Homer used his pencil to suggest abstract effects, such as smoke rising from the steamship in the right background. Fishing Off Scarborough served as the basis for Homer’s 1883 watercolor, Returning Fishing Boats , which the artist completed after his return to New York from England.
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Jules Dupré — Ships at Sea During Storm
Arthur John Trevor Briscoe (British, 1873–1943) — The Pilot
James McNeill Whistler — The Fishing Boat
Eugène Blery — Harbor with Cutters
Arthur John Trevor Briscoe (British, 1873–1943) — Man Overbo
James McNeill Whistler — Dordrecht
Eugène Isabey (French, 1803–1886) — Six Marines: Return to P
Unknown artist — Fishing Boats at Sea
David Octavius Hill — Departure
Francis Seymour Haden (British, 1818–1910) — Calais Pier
Muirhead Bone (British, 1876–1953) — Moy, Ireland
Carl August Ehrensvärd — A Storm at Sea with a Large Ship an