Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Michelangelo was among the first artists in Europe to attend a human dissection and to adopt anatomical knowledge as a necessity for depicting the human figure. These drawings by Battista Franco reflect the increased—and slightly macabre—interest in the interior workings of the human body inspired in part by Michelangelo’s example. Here, the groupings of rib cages, though rendered accurately, are placed into decorative piles. The odd assembly vacillates between scientific study and a symbolic memento mori, or reminder of death.
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Half Figure of a Youth with Outstretched Left Arm and Bowed
The Entombment
St. Jerome
The Entombment of Christ
Six Animals, including lions, a tiger, a leopard, a griffin,
Two Angels or Winged Genii Carrying Torches
Fortitude and Justice, an allegorical composition in round f
The Adoration of the Shepherds with angels overhead
Marco Marchetti (Italian, 1565–1588) — Grotesque with a Saty
Giulio Romano — Jupiter Hurling a Thunderbolt
Michelangelo Buonarroti (Italian, 1475–1564) — Figure Studie
Paolo Veronese (Paolo Caliari) — Sketches for Compositions a
Seu Family|Manaku
Peter Paul Rubens (Flemish, 1577–1640) — Venus Disarming Mar
Anonymous, Italian, Tuscan, late 15th century — Studies afte
Cristoforo Roncalli (Italian, 1552–1626) — Studies for Chris
Anonymous, Italian, Piedmontese, 18th century — Design for a
Alonso Cano — Three Putti Holding Cross Before Two Male Sain
Anton Domenico Gabbiani — Design for a Ceiling Decoration: A
Stefano della Bella|François Collignon — Plate 4: five grote