Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In 1590, a generation after Michelangelo’s death, the dome he designed for Saint Peter’s Basilica in Rome was finally completed. In 1597 Pope Clement VIII commissioned the mosaic decoration of the interior of the dome, choosing Cristoforo Roncalli in part because of his training in Florence, an origin he shared with Michelangelo. Roncalli made this preparatory drawing for the angels that would appear at each side of the four Evangelists in the trapezoidal spaces where the dome meets the supporting arches, called pendentives. Roncalli practiced rendering the foreshortened human form in three studies across the sheet, which are early stages of the design.
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Rosso Fiorentino — Two Figures in an Architectural Setting:
Anonymous — Reclining Female Nude (recto); Various Sketches
Raphael (Italian, 1483–1520) — Studies of a Seated Female, C
Aurelio Luini — Studies for Prophets in Spandrels
Sketch of Two Men and Other Various Figures (verso)
Correggio (Italian, 1489?-1534) — Study of a Fallen Soldier
Anonymous, Italian, 17th century|Giovanni Francesco Romanell
Michelangelo Anselmi — Putti Playing with Hoops (Cartoon for
Nicolas Poussin (French, 1594–1665) — Three Heads and Other
Guido Reni — Studies of Flying Putti (recto); Composition St
Frederico Zuccaro (Italian, 1540/1–1609) — Design for a Wall
Raphael (Raffaello Sanzio or Santi) — Madonna and Child with