Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Here a strange animal, rather like the griffin of mythology, alights into the dark sky with a couple on its back. Night scenes play a key role in many of Goya’s prints, lending them an ominous tone. A critical component of the foreboding look of the prints is Goya’s masterful use of aquatint, a process involving a grainy ground of resin that prints a light-suffused darkness. In this scene, the night sky becomes a flat cosmic backdrop to the figure’s antics, as they seem to ignore the advice of the print’s title.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — 'Flying Folly' from t
Goya (Francisco de Goya y Lucientes) — 'Flying Folly' from t
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Flyi
Odilon Redon — Frontispiece to A Gustave Flaubert (To Gustav
Odilon Redon — Frontispiece to A Gustave Flaubert (To Gustav
Francisco de Goya (Spanish, 1746–1828) — Tale-Bearers - Blas
Odilon Redon — Pegasus and Bellerophon
Goya (Francisco de Goya y Lucientes) — 'The horse abductor'
Francisco de Goya (Spanish, 1746–1828) — Bullfights: Charle
Goya (Francisco de Goya y Lucientes) — 'A Way of Flying' fro
Goya (Francisco de Goya y Lucientes) — Plate 10 from "La Tau
Stefano della Bella — Two eagles, one with prey, from 'Eagle