In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In August 1868 Winslow Homer, then working as a free-lance illustrator, visited the White Mountains of New Hampshire. As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings. Unlike Thomas Cole (1802-1848) and Asher Durand (1796-1886), who focused on the unspoiled wilderness, Homer turned his attention to other tourists. He made this oil sketch as a study for the horse in a large oil painting The Bridal Path, White Mountains (1868; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts).
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Henri de Toulouse-Lautrec — Black horse in the stable
Henri de Toulouse-Lautrec — Horse behind a gate in a stall
Eugène Delacroix (French, 1798–1863) — Study of a Horse
Anton Mauve — Paard
Henri de Toulouse-Lautrec — The White Horse "Gazelle"
George Hendrik Breitner — Blacksmith with Gray
Henri de Toulouse-Lautrec — White horse GAZELLE
Vincent van Gogh — Horse
George Hendrik Breitner — Het Rokin
John Singer Sargent — Horses at Palma
Edgar Degas — Study of a Mustang
Pierre-Auguste Renoir — UN CHEVAL
