Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
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Jean Duvet — Duvet Studying the Apocalypse
Jean Duvet — The artist Jean Duvet in the guise of St. John
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
Albrecht Dürer — Glorification of the Virgin, from The Life
Jean Mignon — Diana and Actaeon
Philips Galle — Baptism, from "The Seven Sacraments"
Georg Pencz — Venus, from The Seven Planets
Girolamo Grandi — In upper section Mercury in a chariot draw
Albrecht Altdorfer (German, c. 1480–1538) — The Judgment of
Hans Burgkmair|Hans Weiditz the Younger|Jost de Negker — Bat
Nicoletto da Modena (Italian, active c. 1500–1520) — The Fat
Girolamo Grandi — Jupiter in a Chariot Drawn by Two Peacocks