Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot|Israël Henriet — S. Nonnose, abbé (St. Nonoss
Nicolaes de Bruyn — First Day: The Creation of Heaven and Ea
Unknown Italian — Madonna Appearing to Kneeling Saint
Anonymous, Spanish, School of Seville, 17th century — Fragme
Master of the Die — Proserpina Gives Psyche the Box of Beaut
François Boucher|Johann Georg Hertel — The Ark of the Covena
Claude Gillot|Jacques Gabriel Huquier — Annunciation
Anton Domenico Gabbiani — Saint Januarius Saving Naples from
Jacques Callot|Israël Henriet — S. Euphémie, vierge et marty
Godfried Maes — Saint Margaret
Master of the Die — Psyche Enters the Underworld
Thomas Bewick — Fable: The Envious Man and the Covetous