● On view now — Collection Gallery, Main Room, West Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Cézanne painted individual portraits of his employees on his country estate, and the poses captured in these works often relate to his ambitious group of genre paintings. The Drinker is frequently subsumed within the broader Card Players thematic, even though it is more than a preparatory study and is an accomplished portrait in its own right. Each laborer on Cézanne's estate, when chosen to become a model, switched from one form of employment to another. Even when his models are shown posing, Cézanne took pains to emphasize labor versus rest. Here, the subject sits next to a bottle of wine, but there is no glass, leaving him unable to savor the fruits of his labor.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Chaim Soutine — Woman Seated in Armchair (Femme accoudée au
Vincent van Gogh — The Smoker (Le Fumeur)
Amedeo Modigliani — The Pretty Housewife (La Jolie ménagère)
Chaim Soutine — Man in Blue (L'Homme en bleu)
June Groff — Head of Chef