Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Japanese aristocrats engaged in the elegant custom of recollecting classical poetry while viewing spring and autumn foliage. In these delicate screens, premier court painter Tosa Mitsuoki meditated on the inevitable passage of beauty by depicting the melancholy hours after the departure of reveling courtiers. A cherry tree bursts into bloom on the right screen, while its mate displays the brilliant red and gold foliage of maples in autumn. Slips of poetry, called tanzaku , waft from the blossoming limbs, the remaining evidence of a human presence. Courtiers (whose names are recorded in a seventeenth-century document) assisted Mitsuoki by inscribing the narrow strips with quotations of appropriate seasonal poetry from twelfth- and thirteenth-century anthologies. The screens were either commissioned by or given to Tofukumon’in (1607–1678), a daughter of the Tokugawa shogun who married the emperor Gomizunoo (1596–1680). In an era otherwise marked by increasing control of the feudal shogunate over imperial prerogatives, this royal couple encouraged a renaissance of courtly taste that nostalgically evoked the past glories of early-medieval aristocratic life.
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Munja-Chaekgeori Screen (Character-Books Screen)
Kano Naonobu (Japanese, 1607–1650) — Winter Scene with Plum
Artist unknown
Japanese, active 19th century — Baskets with
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming 
Watanabe Shikō (Japanese, 1683–1755) — Flowers and Trees of
Sakai Hōitsu — 酒井抱一筆 桜楓図屏風|Cherry and Maple Trees
Kiyohara Yukinobu (Japanese, 1643–1682) — Autumn in Takao
Kano Naonobu (Japanese, 1607–1650) — Winter Scene with Plum
Famous Views of Ōmi
Tosa School (Japanese) — Scenes from the Tale of Genji
Choe Seok-hwan (Korean, active first half of 19th century) —