Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Published in book form in 1799, Goya’s Los caprichos (caprices) presents a dark commentary on the moral, social, and religious ills that plagued late 18th-century Spain. One of Goya’s best-known publications, the series of 80 etchings considers themes of sexuality, violence, superstition, and the fantastical nature of dreams and nightmares. Many of the prints in Los caprichos feature hordes of monstrous demons, ranging from winged owl-like creates to demonic cats and bats, as depicted in Tale-Bearers . This prints shows a bybrid bat-like figure riding a flying cat, tormenting the three monks below. The Spanish word soplón in the print’s title can mean both “gust of wind” and “tattletale” or “gossip.”
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 48 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — Tale-Bearers--Blast
Francisco de Goya (Spanish, 1746–1828) — Tale-Bearers - Blas
Goya (Francisco de Goya y Lucientes) — Plate 70 from 'Los Ca
Francisco de Goya (Spanish, 1746–1828) — They Spruce Themsel
Goya (Francisco de Goya y Lucientes) — Plate 51 from "Los Ca
Leonardo Alenza y Nieto — Birds of a Feather ("Entre los suy
Goya (Francisco de Goya y Lucientes) — Plate 64 from "Los Ca
Goya (Francisco de Goya y Lucientes) — 'Dancing Giant' from
Goya (Francisco de Goya y Lucientes) — 'The Exhortations' fr
Goya (Francisco de Goya y Lucientes) — Plate 46 from "Los Ca
Goya (Francisco de Goya y Lucientes) — 'Dancing Giant' from