Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In the 1880s, Lepère was an early exponent of the woodcut as a fine art medium, experimenting with the technique and exhibiting his prints. His example probably encouraged Henri Rivière to produce woodcuts in the Japanese manner (see Wave in the Rain). In fact, Lepère and Rivière created the first French color woodcuts conceived and printed entirely in imitation of Japanese woodcut techniques. By 1890, woodcut would be taken up by the sculptor Aristide Maillol and such painters as Félix Vallotton and Paul Gauguin, and by 1895, a full-scale revival was underway.
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Louis Auguste Lepère — Breaking Waves, September Tide
Thomas Moran — The Rapids Above Niagara
Thomas Moran — The Resounding Sea
Thomas Moran — The Rapids Above Niagara
Theodore Roussel — The Sea at Bognor
Theodore Roussel — The Sea at Bognor
Pierre Louis Gatier (French, 1878–1944) — St. Nazaire
Muirhead Bone (British, 1876–1953) — Evening, Port of Genoa
William Henry Drake (American, 1856–1926) — Tail Piece for C
Félix Hilaire Buhot (French, 1847–1898) — The Cliff: Bay of
Theodore Roussel — The Sea at Bognor
Mary Nimmo Moran (American, 1842–1899) — Gardiner's Bay, Lon