Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
With her husband, Thomas Moran (also in this gallery), Mary Nimmo Moran participated in the American revival of etching by creating fresh, lyrical landscapes such as this view near her home in East Hampton, Long Island. Moran traveled extensively in Europe and was particularly influenced by the Barbizon school (see Corot and Daubigny, elsewhere in the exhibition). Like these French landscape artists, she paid special attention to weather conditions and atmospheric effects, particularly evident inthis turbulent sky. Throughout her career, Moran etched out of doors directly from nature.
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Charles François Daubigny (French, 1817–1878) — The Hydrauli
Félix Ziem (French, 1821–1911) — Edge of Marsh at Couronne
Adolphe Appian (French, 1818–1898) — Banks of the Rhone
Robert Swain Gifford (American, 1840–1905) — Mouth of the Ap
Otto H. Bacher (American, 1856–1909) — Danube at Walhalla
Félix Hilaire Buhot (French, 1847–1898) — The Cliff: Bay of 
Robert Swain Gifford (American, 1840–1905) — The Mouth of th
Auguste Louis Lepère (French, 1849–1918) — Angers: L'Étang 
Félix Hilaire Buhot (French, 1847–1898) — The Cliff, Bay of 
John Crome (British, 1768–1821) — Back of the Mills
Félix Bracquemond (French, 1833–1914) — The Seine at Bas-Meu
Francis Seymour Haden (British, 1818–1910) — Windmill Hill, 
