DISCOVERART

Goya

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull

1816
Etching, burnished aquatint, burin
24.7 × 35 cm (9.7 × 13.8 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.org ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Goya

María Luisa of Parma (1751–1819), Queen of SpainMaría Luisa of Parma (1751–1819), Queen of SpainA City on a RockA City on a RockJosé Costa y Bonells (died l870), Called PepitoJosé Costa y Bonells (died l870), Called PepitoNarcisa Barañana de GoicoecheaNarcisa Barañana de GoicoecheaJosefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)Josefa de Castilla Portugal y van Asbrock de Garcini (1775–aFerdinand VII (1784–1833), When Prince of AsturiasFerdinand VII (1784–1833), When Prince of AsturiasSebastián Martínez y Pérez (1747–1800)Sebastián Martínez y Pérez (1747–1800)Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)Infanta María Luisa (1782–1824) and Her Son Carlos Luis (179

More like this

Pedro Romero killing the halted bull, plate 30 from The Art of BullfightingFrancisco José de Goya y Lucientes — Pedro Romero killing thBullfights: Pedro Romeo Killing the Halted BullFrancisco de Goya (Spanish, 1746–1828) — Bullfights: Pedro A Spanish knight kills the bull after having lost his horse, plate nine from The Art of BullfightingFrancisco José de Goya y Lucientes — A Spanish knight kills Bullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at SaragosaFrancisco de Goya (Spanish, 1746–1828) — Bullfights: Manly The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of BullfightingFrancisco José de Goya y Lucientes — The Moors use donkeys aThe Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of BullfightingFrancisco José de Goya y Lucientes — The Moors make a differThe rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of BullfightingFrancisco José de Goya y Lucientes — The rabble hamstring thThe Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from The Art of BullfightingFrancisco José de Goya y Lucientes — The Celebrated Picador,Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of BullfightingFrancisco José de Goya y Lucientes — Manly courage of the ceOrigin of the harpoons or banderillas, plate seven from The Art of BullfightingFrancisco José de Goya y Lucientes — Origin of the harpoons The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of BullfightingFrancisco José de Goya y Lucientes — The Agility and Audacit