Francisco de Goya

Bullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls

1816, printed 1876
engraving

SEE IT IN PERSON

Not currently on view

In the collection of Cleveland Museum of Art, Cleveland · as of July 2026

View at clevelandart.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Francisco de Goya

Portrait of Don Ramón SatuéPortrait of Don Ramón SatuéPortrait of Don Juan Antonio CuervoPortrait of Don Juan Antonio CuervoSaint AmbroseSaint AmbrosePortrait of Jacques GalosPortrait of Jacques GalosFrancisco de Goya y Lucientes, Painter (Self-Portrait), Plate 1Francisco de Goya y Lucientes, Painter (Self-Portrait), PlatDisasters of War: Pl. 37, This is worse Disasters of War: Pl. 37, This is worse Out Hunting for Teeth, Plate 12Out Hunting for Teeth, Plate 12Love and Death, Plate 10Love and Death, Plate 10

More like this

The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of BullfightingFrancisco José de Goya y Lucientes — The Moors use donkeys aPlate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with ballsGoya (Francisco de Goya y Lucientes) — Plate 17 of "La TauroPlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his bodyGoya (Francisco de Goya y Lucientes) — Plate 14 from "La TauPlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rulesGoya (Francisco de Goya y Lucientes) — Plate 5 from "La TaurPedro Romero killing the halted bull, plate 30 from The Art of BullfightingFrancisco José de Goya y Lucientes — Pedro Romero killing thPlate 8 from "La Tauromaquia": A Moor caught by the bull in the ringGoya (Francisco de Goya y Lucientes) — Plate 8 from "La TaurPlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other armsGoya (Francisco de Goya y Lucientes) — Plate 12 from "La TauPlate 16 of "La Tauromaquia": The same man throws a bull in the ring at MadridGoya (Francisco de Goya y Lucientes) — Plate 16 of "La TauroThe rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of BullfightingFrancisco José de Goya y Lucientes — The rabble hamstring th