Goya (Francisco de Goya y Lucientes)|Baltazar Carlos|Velázquez

Spanish, Fuendetodos 1746–1828 Bordeaux · 394 works on DiscoverArt

Works

María Luisa of Parma (1751–1819), Queen of Spain

A City on a Rock

José Costa y Bonells (died l870), Called Pepito — José Costa y Bonells (died l870), Called Pepito● On view · Gallery 641

Narcisa Barañana de Goicoechea — Narcisa Barañana de Goicoechea● On view · Gallery 641

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)● On view · Gallery 641

Ferdinand VII (1784–1833), When Prince of Asturias — Ferdinand VII (1784–1833), When Prince of Asturias● On view · Gallery 641

Sebastián Martínez y Pérez (1747–1800) — Sebastián Martínez y Pérez (1747–1800)● On view · Gallery 641

Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)

Condesa de Altamira and Her Daughter, María Agustina — Condesa de Altamira and Her Daughter, María Agustina● On view · Gallery 958

Manuel Osorio Manrique de Zuñiga (1784–1792) — Manuel Osorio Manrique de Zuñiga (1784–1792)● On view · Gallery 641

Don Bernardo de Iriarte (1735–1814)

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers● On view · Gallery 641

Majas on a Balcony — Majas on a Balcony● On view · Gallery 641

Bullfight in a Divided Ring — Bullfight in a Divided Ring● On view · Gallery 641

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect● On view · Gallery 641

Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album 'B' — Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album 'B'1796–97

'Feminine Folly' from the 'Disparates' (Follies / Irrationalities) — 'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)

Plate 1 from "Los Caprichos": Self-portrait — Plate 1 from "Los Caprichos": Self-portrait1799

'Feminine Folly' from the 'Disparates' (Follies / Irrationalities) — 'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (post the first edition published in 1864)

Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso) — Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)ca. 1797–98

Spanish Entertainment from the 'Bulls of Bordeaux' — Spanish Entertainment from the 'Bulls of Bordeaux'1825

Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album 'B' — Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album 'B'1795–97

Portrait of a Young Man — Portrait of a Young Manca. 1820

Self-Portrait in a Cocked Hat — Self-Portrait in a Cocked Hatca. 1790

'Generosity versus Greed', a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album 'B' — 'Generosity versus Greed', a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album 'B'1796–98 (possibly later)

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D) — 'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)ca. 1819–23

'Barbarous Entertainment', a blind guitarist on the horns of a bull — 'Barbarous Entertainment', a blind guitarist on the horns of a bull1800–1804 (published 1828–67)

Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album 'B'. — Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album 'B'.1795–97

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra) — Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810 (published 1863)

Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto) — Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)1810 (published 1863)

Self-portrait — Self-portraitca. 1796

A man on the ground drinking from a wine skin; folio 63 from the Images of Spain Album 'F' — A man on the ground drinking from a wine skin; folio 63 from the Images of Spain Album 'F'ca. 1812–20

'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A) — 'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)ca. 1815–19 (published before 1877)

'Carnival Folly' from the 'Disparates' (Follies / Irrationalities) — 'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)

Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella) — Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)1810 (published 1863)

'Carnival Folly' from the 'Disparates' (Follies / Irrationalities) — 'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)

Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities) — Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue) — Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)1799

Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!) — Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)ca. 1810 (published 1863)

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras) — Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)1810 (published 1863)

Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos) — Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)1814–15 (published 1863)

Plate 35 from "Los Caprichos": She fleeces him (Le descañona) — Plate 35 from "Los Caprichos": She fleeces him (Le descañona)1799

Beggar with a staff in his left hand; folio 70 from the Images of Spain Album 'F' — Beggar with a staff in his left hand; folio 70 from the Images of Spain Album 'F'ca. 1812–20

They are getting drunk; folio 67 (recto) from the Madrid Album 'B' — They are getting drunk; folio 67 (recto) from the Madrid Album 'B'1796–98

'Clear Folly' from the 'Disparates' (Follies / Irrationalities) — 'Clear Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)

Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.) — Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.)1799

A young woman looking into a well; folio 46 (verso) from the Madrid Album B — A young woman looking into a well; folio 46 (verso) from the Madrid Album B1795–97

Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega) — Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)1799

Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album 'B'. — Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album 'B'.1796–98

'Clear Folly' from the 'Disparates' (Follies / Irrationalities) — 'Clear Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi) — Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)1810 (published 1863)

Plate 1 from "Los Caprichos": Self-portrait — Plate 1 from "Los Caprichos": Self-portrait1799 (published 1881–86)

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren) — Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)1810 (published 1863)

Mariano Ceballos riding a bull from the 'Bulls of Bordeaux' — Mariano Ceballos riding a bull from the 'Bulls of Bordeaux'1825

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes) — Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)1810 (published 1863)

Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!) — Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)1814–15 (published 1863)

'General Folly' from the 'Disparates' (Follies / Irrationalities) — 'General Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)

Plate 8 from "Tauromaquia": A moor caught by the bull in the ring — Plate 8 from "Tauromaquia": A moor caught by the bull in the ringca. 1816

A woman pulling at her hair accompanied by a group of figures; page 76 from the 'Images of Spain' album (F) — A woman pulling at her hair accompanied by a group of figures; page 76 from the 'Images of Spain' album (F)ca. 1812–20

Figures waking from sleep (?); page71 from the 'Images of Spain Album (F) — Figures waking from sleep (?); page71 from the 'Images of Spain Album (F)ca. 1812–20

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