Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Schinkel was the principle German architect of the first half of the 19th century. Responsible for almost every public building in Berlin, his neoclassical buildings for the city, based on the rational order and classic proportions of antiquity, came to define the power and stability of the Prussian capital. Schinkel also had a career as a painter and printmaker in which he developed his ideas of architectural splendor in landscapes that juxtaposed nature with buildings. The theme of the visionary Gothic cathedral pervades his work. Gothic Church among Oaks combines the principal Romantic tenets of Christianity, nature, patriotism, and medievalism into one image. Here, as in Quaglio’s Outer Staircase of a Gothic Ruin , a small child is contrasted with the enormity of the oak and the Gothic ruin. The continuity of life in the midst of death is signified by the sunflower among gravestones.
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Karl Friedrich Schinkel — Gothic Church Hidden by a Tree
Anthonie Waterloo — A Small Bridge over a Stream
Carl Wilhelm I Kolbe (German, 1757–1835) — Landscape and Bri
Jean Victor Bertin — Classical Landscape with a Shepherd
Eugene Bléry (French, 1805–1886) — Studies Drawn and Engrave
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Anthonie Waterloo — Mother and Children At Rest
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Abraham Genoels II — Classical Landscape with a Building and
John Martin (British, 1789–1854) — A Man Playing a Harp with
Anthonie Waterloo (Dutch, 1609/10–1690) — Six Large Upright
Christoph Nathe (German, 1753–1806) — A Beech Wood with a Re