● On view now — Collection Gallery, Room 06, East Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
A group of nude figures gathers around a pool in a forest. The theme of bathers in nature originated in the Renaissance, traditionally showing idealized female bodies in harmony with the landscape. Yet Cézanne disturbs this easy relationship in this small canvas. Space is hard to read. And while he derived many of the figures' poses from classical statuary, their bodies are obscure—most are androgynous and/or engulfed in the foliage.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Paul Cezanne — The Bathers
Paul Cezanne — Bathers
Pierre-Auguste Renoir — Picnic (Le Déjeuner sur l'herbe)
Pierre-Auguste Renoir — Bathers in the Forest (Baigneuses da
Henri Matisse — Le Bonheur de vivre, also called The Joy of
Pierre-Auguste Renoir — Resting in the Grass (Le Repos sur l
Jules Pascin — Two Nudes–One Standing, One Sitting
Pierre-Auguste Renoir — Bathing Group
Paul Cezanne (French, 1839–1906) — The Bathers
Jules Pascin — Two Standing Nudes (Deux nus debout)
Arthur B. Davies (American, 1862–1928) — Hermes and the Infa
Pierre-Auguste Renoir — Two Women in a Landscape (Deux femme