Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This darkly satirical interpretation of a popular proverb demonstrates the equally unruly nature of equine and womankind. Twisting and rearing in a desolate landscape, the horse becomes both a violent abductor and a tender savior as he tries to catch the struggling woman’s dress in his teeth before she plummets to the ground.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — 'The horse abductor'
Goya (Francisco de Goya y Lucientes) — 'The horse abductor'
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: The
Francisco de Goya (Spanish, 1746–1828) — Bullfights: Charle
Goya (Francisco de Goya y Lucientes) — Plate 10 from 'La Tau
Francisco de Goya (Spanish, 1746–1828) — Bullfights: The De
Goya (Francisco de Goya y Lucientes) — Plate 10 from "La Tau
Odilon Redon — There Were Struggles and Vain Victories, plat
Francisco de Goya (Spanish, 1746–1828) — Bullfights: The Wa
Francisco de Goya (Spanish, 1746–1828) — Bullfights: The Sa
Goya (Francisco de Goya y Lucientes) — 'Folly of Fear' from
Eugène Delacroix — Faust and Mephistopheles Galloping Throug