FROM THE BARNES FOUNDATION’S CATALOG
When Albert Barnes purchased this painting in 1928, it was attributed to the Venetian Renaissance artist Titian. Recent scholarship suggests the portrait is instead by a member of the school of Alessandro Bonvicino, known as Moretto, who worked in Brescia, a city in Lombardy under the influence of Venice. The unknown sitter and his son are shown in half-length in front of a neutral background. Patrician families commissioned such portraits such as a reflection of their stature.
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North Italian 16th Century (Possibly Gian Paolo Pace) — Ales
Italian (Lombard) Painter — Portrait of a Man in a Fur-Trimm
Giambattista Moroni — Portrait of a Man
Lucas Cranach the Elder — Portrait of Johann Friedrich I, th
Wolfgang Huber — Portrait of a Man
anonymous — Portrait of a man
William Jennys — Everard Benjamin
Portrait of Willem van Lokhorst (1514-64)
Cariani — Portrait of a Man with a Dog
Jacopo Tintoretto — Portrait of a Gentleman
Corneille de Lyon — Man with Red Beard
Follower of Jacopo Tintoretto — Andrea Renier and His Son Da