Stefano della Bella

Italian, Florence 1610–1664 Florence · 623 works on DiscoverArt

Works

Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)n.d.
A mid-bust portrait of Emperor Ferdinand II, within an oval frame, surrounded by armor
A mid-bust portrait of Emperor Ferdinand II, within an oval frame, surrounded by armorca. 1637
Man Wearing a Fantastic Headdress, Facing to the Left
Man Wearing a Fantastic Headdress, Facing to the Leftc. 1657
A ship travelling between Dover and Calais, from "Views of seaports" (Vues de ports de mar)
A ship travelling between Dover and Calais, from "Views of seaports" (Vues de ports de mar)1647
A fan with a musical troupe and spectators
A fan with a musical troupe and spectatorsca. 1633–38
Plate 38: head of a man with a moustache and cap, facing right in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture)
Plate 38: head of a man with a moustache and cap, facing right in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture)ca. 1647
Castel Sant' Angelo
Castel Sant' Angeloca. 1634
Rock of the Philosphers, or Mount Parnassus, many ancient philosophers gathered in groups at the base of the mountain in the foreground, Diogenes in his barrel to right and Archimedes in center studying an armillary sphere in the middleground, an angel in the sky to left, the mountain in the background, a large cloud at the top of the mountain with the assembly of the gods
Rock of the Philosphers, or Mount Parnassus, many ancient philosophers gathered in groups at the base of the mountain in the foreground, Diogenes in his barrel to right and Archimedes in center studying an armillary sphere in the middleground, an angel in the sky to left, the mountain in the background, a large cloud at the top of the mountain with the assembly of the godsca. 1661
Siege of Saint-Omer
Siege of Saint-Omer1638
A Peasant on Horseback seen in Profile Facing Right; Two Studies of the Same Man's Head.
A Peasant on Horseback seen in Profile Facing Right; Two Studies of the Same Man's Head.1610–64
A shepherd at right, facing left, driving a group of animals downhill, a round composition, from 'Six animal subjects' (Six sujets d'animaux)
A shepherd at right, facing left, driving a group of animals downhill, a round composition, from 'Six animal subjects' (Six sujets d'animaux)ca. 1643–48
View of the Amsterdam seaport (Veue d'Amsterdam), men in rowboats work on a ship in center, other men stand on a dock to right, from 'Views of seaports' (Vues de ports de mar)
View of the Amsterdam seaport (Veue d'Amsterdam), men in rowboats work on a ship in center, other men stand on a dock to right, from 'Views of seaports' (Vues de ports de mar)1647
First scene, in Florence, from 'The marriage of the gods' (Le nozze degli Dei)
First scene, in Florence, from 'The marriage of the gods' (Le nozze degli Dei)1637
Several heads in the Persian style: Portrait, Sultana Wearing a Pearl Necklace and a Turban (Plusieurs têtes coiffées à la persienne)
Several heads in the Persian style: Portrait, Sultana Wearing a Pearl Necklace and a Turban (Plusieurs têtes coiffées à la persienne)1649–50
Third scene, the garden of Venus, from 'The marriage of the gods' (Le nozze degli Dei)
Third scene, the garden of Venus, from 'The marriage of the gods' (Le nozze degli Dei)1637
Perseus and Andromeda, from 'Game of Mythology' (Jeu de la Mythologie)
Perseus and Andromeda, from 'Game of Mythology' (Jeu de la Mythologie)1644
Two Turks in Turbans
Two Turks in Turbansca. 1662
The Temple of Vespasian and the Roman Forum, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)
The Temple of Vespasian and the Roman Forum, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)1656
Capture of Two Galleys at Byserta
Capture of Two Galleys at Byserta1628
View of the Tiber river, a large tree to left, two groups of women to left in the foreground, a bridge leading to the Castello Sant'Angelo to left, above which a large flag is hoisted, clouds of gunsmoke to right and left of the castle
View of the Tiber river, a large tree to left, two groups of women to left in the foreground, a bridge leading to the Castello Sant'Angelo to left, above which a large flag is hoisted, clouds of gunsmoke to right and left of the castleca. 1656
Plate 4: Head of a Woman in Profile, from 'Second collection of various doodles and etching proofs' (Second recueil de divers griffonnements et preuves d'eauforte)
Plate 4: Head of a Woman in Profile, from 'Second collection of various doodles and etching proofs' (Second recueil de divers griffonnements et preuves d'eauforte)ca. 1646
Fifth scene, the Inferno, from 'The marriage of the gods' (Le nozze degli Dei)
Fifth scene, the Inferno, from 'The marriage of the gods' (Le nozze degli Dei)1637
Herdsman on horseback drives animals, from 'Six animal subjects' (Six sujets d'animaux)
Herdsman on horseback drives animals, from 'Six animal subjects' (Six sujets d'animaux)ca. 1646
Two Studies: Female Head in Three-Quarter Profile; Female Bust Seen from the Back
Two Studies: Female Head in Three-Quarter Profile; Female Bust Seen from the Backc. 1647
Il Mondo Festeggiante: Entrance of Cosimo III de' Medici
Il Mondo Festeggiante: Entrance of Cosimo III de' Medici1661
A woman carrying a child in center, seen from behind, another woman to right, facing left, following a group of cows across a river, a round composition, from 'Six animal subjects' (Six sujets d'animaux)
A woman carrying a child in center, seen from behind, another woman to right, facing left, following a group of cows across a river, a round composition, from 'Six animal subjects' (Six sujets d'animaux)ca. 1643–48
Views of the Villa of Pratolino:  Colossal Statue of the Apennines
Views of the Villa of Pratolino: Colossal Statue of the Apenninesc. 1653
The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)
The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)1656
Villa of Pratolino: The Appenino
Villa of Pratolino: The Appeninoca. 1653
Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No. 5
Collection of Various Caprices and New Designs of Cartouches and Ornaments: No. 51646
Design for A Sleigh in the Form of a Griffin, Drawn by a Horse.
Design for A Sleigh in the Form of a Griffin, Drawn by a Horse.1610–64
Landscape
Landscape17th century
Herdsman on Horseback Drives Animals
Herdsman on Horseback Drives Animalsca. 1646
Cartouche Crowned by Helmet and Leopards
Cartouche Crowned by Helmet and Leopards1647
The Colossal Statue of the Apennines, from Views of Villa di Pratolino
The Colossal Statue of the Apennines, from Views of Villa di Pratolinoc. 1653
Saint Jean Gualbert trampling a monster with two human heads and a serpentine body, a flying demon in background to right, an angel with a cross flying to left, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert)
Saint Jean Gualbert trampling a monster with two human heads and a serpentine body, a flying demon in background to right, an angel with a cross flying to left, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert)1640
View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne)
View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne)1655
The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)
The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)1656
Figures in Battle and Head of a Horse (recto); Studies of a Man's Head and Arms (verso)
Figures in Battle and Head of a Horse (recto); Studies of a Man's Head and Arms (verso)1610–64
Ponte and Castell Saint'Angelo
Ponte and Castell Saint'Angelo1633–64
A cartouche with a tree blowing in the wind, a skull with drapery at top, bones to either side, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis)
A cartouche with a tree blowing in the wind, a skull with drapery at top, bones to either side, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis)ca. 1640–60
Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)
Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)ca. 1651
A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views of the port of Livorno' (Vues du port de Livourne)
A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views of the port of Livorno' (Vues du port de Livourne)ca. 1652–57
View of Amsterdam (Vue d'Amsterdam), a tower and houses to left, men standing on the pier to right, many ships in the port in the background, from 'Views of seaports' (Vues de ports de mar)
View of Amsterdam (Vue d'Amsterdam), a tower and houses to left, men standing on the pier to right, many ships in the port in the background, from 'Views of seaports' (Vues de ports de mar)1647
Two horsemen pass a flock, riding towards the left, a peasant woman and a young boy to left in the middleground, a large tree to right, from 'Six large views, four of Rome and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)
Two horsemen pass a flock, riding towards the left, a peasant woman and a young boy to left in the middleground, a large tree to right, from 'Six large views, four of Rome and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)ca. 1656
A peasant woman seated on a horse to left, facing right, surrounded by a herd of fcows, goats, sheep, and dogs, a round composition, from 'Six animal subjects' (Six sujets d'animaux)
A peasant woman seated on a horse to left, facing right, surrounded by a herd of fcows, goats, sheep, and dogs, a round composition, from 'Six animal subjects' (Six sujets d'animaux)ca. 1643–48
Bernardino Ricci, called il Tedeschino, atop a horse in center, riding towards the left, wearing a long robe, a cape, and a hat, holding a staff in his right hand, a putto holding the Medici coat of arms at bottom left, Florence in the background
Bernardino Ricci, called il Tedeschino, atop a horse in center, riding towards the left, wearing a long robe, a cape, and a hat, holding a staff in his right hand, a putto holding the Medici coat of arms at bottom left, Florence in the background1637
A portrait of Francesco de' Medici, within an oval frame, decorated with military equipment, battle scenes at bottom left and right outside of frame
A portrait of Francesco de' Medici, within an oval frame, decorated with military equipment, battle scenes at bottom left and right outside of frame1634
Carlo Cantu called Buffetto
Carlo Cantu called Buffetto1646
Cosimo de Medici, Prince of Tuscany, and His Wife, Marguerite Louise d'Orleans
Cosimo de Medici, Prince of Tuscany, and His Wife, Marguerite Louise d'Orleans1661
A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views of the port of Livorno' (Vues du port de Livourne)
A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views of the port of Livorno' (Vues du port de Livourne)1655
A Satyr Family Traveling
A Satyr Family Travelingc. 1657
Plate 3: two girls walking towards the left, seen from behind, a woman on a horse to left in background, from 'Diversi capricci'
Plate 3: two girls walking towards the left, seen from behind, a woman on a horse to left in background, from 'Diversi capricci'ca. 1644–47
St. Anthony, Archbishop of Florence
St. Anthony, Archbishop of Florence1651
Two cows in center, followed by two peasant women and other cows in the river to left, a round composition, from 'Six animal subjects' (Six sujets d'animaux)
Two cows in center, followed by two peasant women and other cows in the river to left, a round composition, from 'Six animal subjects' (Six sujets d'animaux)ca. 1643–48
Plate 9: Leopard, from "Various animals" (Diversi animali)
Plate 9: Leopard, from "Various animals" (Diversi animali)ca. 1641
A peasant woman with a cow at a fountain decorated with the Medici arms, from "Six animal subjects" (Six sujets d'animaux)
A peasant woman with a cow at a fountain decorated with the Medici arms, from "Six animal subjects" (Six sujets d'animaux)ca. 1646
Various figures of horse ballet
Various figures of horse ballet1652
The Tree House at Pratolino
The Tree House at Pratolinoca. 1653
Genie of Drawing
Genie of Drawing1610–64

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