Stefano della Bella

First scene, in Florence, from 'The marriage of the gods' (Le nozze degli Dei)

1637
Etching
21.5 × 18.7 cm (8.5 × 7.4 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Stefano della Bella

Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)Sketches of Child Praying, Two Male Profiles (recto); SketchA mid-bust portrait of Emperor Ferdinand II, within an oval frame, surrounded by armorA mid-bust portrait of Emperor Ferdinand II, within an oval Man Wearing a Fantastic Headdress, Facing to the LeftMan Wearing a Fantastic Headdress, Facing to the LeftA ship travelling between Dover and Calais, from "Views of seaports" (Vues de ports de mar)A ship travelling between Dover and Calais, from "Views of sA fan with a musical troupe and spectatorsA fan with a musical troupe and spectatorsPlate 38: head of a man with a moustache and cap, facing right in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture)Plate 38: head of a man with a moustache and cap, facing rigCastel Sant' AngeloCastel Sant' AngeloRock of the Philosphers, or Mount Parnassus, many ancient philosophers gathered in groups at the base of the mountain in the foreground, Diogenes in his barrel to right and Archimedes in center studying an armillary sphere in the middleground, an angel in the sky to left, the mountain in the background, a large cloud at the top of the mountain with the assembly of the godsRock of the Philosphers, or Mount Parnassus, many ancient ph

More like this

View of the scene in which is represented the Judgment of Paris (Prospettiva della scena in cui si rappresentò il Giuditio do Paride), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608Remigio Cantagallina|Giulio Parigi — View of the scene in whStage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza'Carlo Antonio Forti — Stage design with allegorical figures;The Wedding of the Gods: Second Scene, DianaStefano della Bella|Alfonso Parigi|Giovanni Carlo Coppola|FeA man and a woman conversing at center, surrounded by a row of young men to the right and young women to the left, Mercury appears at top left corner; set design from 'Il Pomo D'Oro'Ludovico Ottaviano Burnacini|Mathäus Küsel — A man and a womA woman standing on an empty street, gazing up at the Olympian gods in the sky; set design from 'Il Fuoco Eterno'Ludovico Ottaviano Burnacini|Mathäus Küsel — A woman standinPlate 25, from Landscapes with Scenes from the Old and New Testament and Ovid’s MetamorphosesHans Bol — Plate 25, from Landscapes with Scenes from the OlMay/June, from The Twelve MonthsAegidius Sadeler, II — May/June, from The Twelve MonthsFigures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno'Ludovico Ottaviano Burnacini|Mathäus Küsel — Figures gathereMarsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro'Ludovico Ottaviano Burnacini|Mathäus Küsel — Marsh of TritonThe Baptism of Christ, from Landscapes with Biblical Subjects and SaintsJohannes van Doetecum — The Baptism of Christ, from LandscapFan with figures in a gardenNicolas Cochin|Stefano della Bella — Fan with figures in a gChrist Healing the Bloody Woman, from Landscapes with Scenes from the Life of ChristSimon Frisius — Christ Healing the Bloody Woman, from Landsc