Ferdinando Galli Bibiena

Architectural Perspective, in an Oval: Porch of a Palace with Corinthian Colums.

1657–1743
Pen, brown ink over black chalk
42.9 × 33.7 cm (16.9 × 13.3 in)

SEE IT IN PERSON

In the collection of The Metropolitan Museum of Art, New York — check current display status with the museum.

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Ferdinando Galli Bibiena

Design for a Stage Set: A Town Square with a Fountain.Design for a Stage Set: A Town Square with a Fountain.Foreshortened or Trompe L'Oeil View of the Architecture Surrounding a CourtyardForeshortened or Trompe L'Oeil View of the Architecture SurrDesign for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an ObeliskDesign for a Stage Set: Semi-Circular Architectural Ruins, FStage Setting with BalletStage Setting with BalletVaulted Hall with CandelabraVaulted Hall with CandelabraDesign of a Perspective for a Stage Set with Courtyard and Triumphal Arch.Design of a Perspective for a Stage Set with Courtyard and TDesign for One-Quarter of a Ceiling-elaborate Architectural Ornament in PerspectiveDesign for One-Quarter of a Ceiling-elaborate Architectural Architect's Sketchbook and Sourcebook.Architect's Sketchbook and Sourcebook.

More like this

Designs for Componets of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain.Giuseppe Galli Bibiena — Designs for Componets of Stage SetsDesign for a Stage Set: Palace Hall with Columns and Statues.Giuseppe Galli Bibiena — Design for a Stage Set: Palace HallTwo Alternate Design for a Church FaçadeAnonymous, Italian, Piedmontese, 18th century — Two AlternatElevation for a Portico of Doric OrderAnonymous, Italian, 18th or early 19th century — Elevation fTwo Alternate Designs for Triumphal ArchAnonymous, French, 18th century — Two Alternate Designs for Porta Pia, elevation (recto) Porta Pia, window, elevation; section (verso)Anonymous, French, 16th century — Porta Pia, elevation (rectDesign for Stage SetLeonardo Marini — Design for Stage SetSt. Peter's, apse, partial elevation (recto) blank (verso)Anonymous, French, 16th century — St. Peter's, apse, partialTwo Alternate Designs for a ChapelAnonymous, Italian, Piedmontese, 18th century — Two AlternatDesign for a Ceiling With an Elaborate CoveAnonymous, Italian, Piedmontese, 18th century — Design for aDesign for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical FiguresFrancesco Maria Richini (or Ricchino) — Design for the TriumTwo Alternate Designs for an AltarAnonymous, Italian, Piedmontese, 18th century — Two Alternat