● On view now — 101A Prints & Drawings
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Florentine sculptor Baccio Bandinelli was a self-proclaimed rival of Michelangelo. This print, made from Bandinelli’s design, is a masterpiece of self-promotion that also encapsulates the Renaissance artist’s inspiration from antiquity and rising social status. Bandinelli portrayed himself sitting like a king surrounded by both ancient sculpture and his own works. The lion that bites into a block of marble symbolizes Bandinelli’s formidable power over the stone and perhaps the triumph of his skills over all others (including Michelangelo). His fur-lined cloak is that of a gentleman, and the cross on his chest indicates his knighthood in the Order of Saint James, a Catholic chivalric brotherhood.
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Niccolò della Casa|Baccio Bandinelli|Antonio Salamanca|Anony
Niccolò della Casa|Baccio Bandinelli|Baccio Bandinelli — Por
Nicolò della Casa — Baccio Bandinelli
Hendrick Goltzius (Dutch, 1558–1617) — Apollo Belvedere
Baccio Bandinelli|Niccolò della Casa|Baccio Bandinelli — Por
Antonio Lafreri|Enea Vico|Bartolomeo Ammanati (Ammannati)|An
Baccio Bandinelli|Anonymous, 16th century — Hercules with hi
Nicolas Beatrizet — Laocoön
Giulio Bonasone (Italian, c. 1510–after 1576) — Silenus and
Master IRs (Italian) — Alexander the Great and the High Prie
Hendrick Goltzius (Dutch, 1558–1617) — Hercules and Telephos
Master IQV|Michelangelo Buonarroti — Man Against a Tree