Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The late 18th and early 19th centuries were an incredibly fertile period for innovation in the European textile industries, especially in the field of direct printing. Decades of experimentation led to the development of a variety of ways to apply color and pattern to cloth, which enabled artists and designers to invent new design vocabularies and quickly respond to cultural trends and ideas. One of the most enduring of these innovations was the ability to print on cloth with copperplates and then subsequently with engraved copper metal rollers. The quality of detail achieved through this method was unrivaled in terms of clarity, precision.
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France, Rouen — “Scenes of Rome” Furnishing Fabric
Japan — Fragment
Jean Baptiste Huet — Le Romain (The Roman) (Furnishing Fabri
Eduard Julius Friedrich Bendemann|Jacques Gagné|Anonymous —
Antoine Watteau — L'Oeuvre D'Antoine Watteau Pientre du Roy
Charles Meryon — Frontispiece for the Catalogue of the Work
Zhai Dakun (Chinese, d. 1804) — Landscapes
Italy — Fragment
Philippe Wyngaert — Furnishing Fabric
Islamic — Qur'an
Anonymous|Eduard Julius Friedrich Bendemann|Jacques Gagné —
Hippolyte Lebas — “Les Arts” Furnishing Fabric