Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Min Zhen, who was orphaned at age 12 and developed an eccentric personality, was trained by Tang Yin (1682–1756), a writer, playwright, and superintendent of the imperial porcelain workshops in Jingdezhen. The connection to him may have enabled Min to stay in Beijing for a decade from around 1773. It is not clear whether he ever resided in Yangzhou, but his style is in many instances reminiscent of that of Yangzhou artist Huang Shen. This album demonstrates Min’s versatility and mature style in the last years of his life.
Be the first to share your thoughts.
Sign in to join the discussion.
Bada Shanren (Zhu Da) — 清 朱耷 (八大山人) 山水圖 冊|Landscape album
Ni Zan (Chinese, 1301–1374) — Bamboo, Rock, and Tall Tree
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Zha Shibiao (Chinese, 1615–1698) — Landscape Album in Variou
Hua Yan (Chinese, 1682–c. 1765) — Conversation in Autumn
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Dong Qichang — 明 董其昌 山水圖 冊|Landscapes after old masters
Yoshitsugu Haizan (Japanese, 1846–1915) — Painting Ten from
Aoki Mokubei 青木木米 — 緑陰煎茗図 (Ryokuin senmei zu)|Brewing Tea in
Nakayama Kōyō (Japanese, 1717–1780) — Aged Pine
Gao Fenghan — 清 高鳳翰 菊石圖 軸|Chrysanthemums by a rock
Yosa Buson (Japanese, 1716–1783) — Snow Landscape