Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Mary Cassatt chose a quintessentially Spanish subject, executing this composition of a bullfighter, or torero, in full regalia during an extended stay in Seville. Having trained in Philadelphia and Paris, Cassatt ventured to Spain to study the country’s Renaissance and Baroque works and to follow the path of French avant-garde artists like Édouard Manet. Depicting the performer at a relaxed moment, far removed from the spectacle and violence of the ring, Cassatt omitted narrative detail. Instead, with a modernist sensibility, she focused on the male figure in a casual pose, employing vigorous brushwork and rich pigment to describe the bullfighter’s costume and suggest his characteristic bravado.
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Edouard Manet — A Matador
Mariano Fortuny y Marsal — Cavalier
Jean-Léon Gérôme — Bashi-Bazouk
Eugène Delacroix (French, 1798–1863) — Count Demetrius de Pa
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Édouard Manet — Beggar with Oysters (Philosopher)
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Francisco de Goya (Spanish, 1746–1828) — The Cid Campeador S
Alfred Dedreux — Seated Arab Man with Horse