DISCOVERART

James McNeill Whistler

The Long Gallery, Louvre

1894
Transfer lithograph in black with stumping, on cream wove paper
21.6 × 15.9 cm (8.5 × 6.3 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.edu ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by James McNeill Whistler

The Violin PlayerThe Violin PlayerGrey and Silver: Old Battersea ReachGrey and Silver: Old Battersea ReachWhistler's MotherWhistler's MotherCoast Scene, BathersCoast Scene, BathersViolet and Silver—The Deep SeaViolet and Silver—The Deep SeaJapanese Woman Painting a Fan (recto)Japanese Woman Painting a Fan (recto)Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"Study for "Arrangement in Grey and Black, No. 2: Portrait ofNocturne: Blue and Gold—Southampton WaterNocturne: Blue and Gold—Southampton Water

More like this

The Long Gallery, LouvreJames McNeill Whistler (American, 1834–1903) — The Long GallThe Long Gallery, PradoJoseph Pennell — The Long Gallery, PradoStudy for British Institution, Pall Mall, from Microcosm of LondonAugustus Charles Pugin — Study for British Institution, PallStudy for the Great Hall, Bank of EnglandAugustus Charles Pugin — Study for the Great Hall, Bank of EThe Grand Gallery of the PradoJoseph Pennell — The Grand Gallery of the PradoChurch, BrusselsJames McNeill Whistler (American, 1834–1903) — Church, BrussThe FairJames McNeill Whistler (American, 1834–1903) — The FairThe Pier with Chains, plate 16 from Imaginary PrisonsGiovanni Battista Piranesi — The Pier with Chains, plate 16 Herodias: Page 45, But now beginning at the farthest end of the banquet hall a murmur of surprise and admiration. A young girl began to enterWilliam Walcot (British, 1874–1943) — Herodias: Page 45, But