Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
As Jesus rises in triumphant Resurrection, the Roman soldier guarding the tomb at the lower right, seems, at first glance, to respond in awestruck ecstasy. He and his fellow guards, however, remain deeply asleep, ignorant to the divine event. The soldier’s discarded helmet was inspired by a wellknown design by 16th-century Italian armorer Filippo Negroli; it can also be seen in paintings by artists like Bartholomeus Breenbergh’s teacher, Pieter Lastman. Many artists appreciated such pieces of Negroli armor for their fantastical, animalistic designs that reference classical ornament, and often collected them as studio props for use in history scenes.
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Samuel van Hoogstraten — Resurrection of Christ
Crucifixion
anonymous — Mary Magdalene at the foot of the cross
Gerardus Gossen — Resurrection of Christ
Jacob Matham — Christ on the Cold Stone with Two Angels
Juan de Valdés Leal (Spanish, 1622–1690) — Study for "The As
Guido Reni|Sir Nicolas Dorigny — The Holy Trinity; Christ on
anonymous — Christ on the Cross, with the Mother of Sorrows
Pieter de Grebber — The Descent from the Cross
Francesco Trevisani — Dead Christ Supported by Angels
Gijsbert Van Veen|Federico Barocci|Matteo Florimi — Crucifix
Hans Speckaert — The Crucifixion of Christ