Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
At the height of Asante power in the 18th and 19th centuries, a wide variety of decorative seats, ranging from stools to chairs and palanquins, were developed as symbols of rulership. The wooden frame of this akonkromfi chair is covered with brass knobs, tacks, and decorative repousséd sheeting. Akonkromfi means “praying mantis,” a reference to the chair’s crossed legs, which are derived from a European folding-chair prototype. Akonkromfi are mainly reserved for festive occasions, when they may be carried alongside a chief in procession or used to support the stool that is the ultimate symbol of his divinely sanctioned power.
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Coromandel Coast, probably Madras (Chennai), India — Armchai
Augustus Welby Northmore Pugin — Side Chair
Northern Europe — Armchair (one of two)
Jacob Keller — Side Chair
Artist unknown — Child's Armchair
Artist unknown — Armchair
Dutch School — Side Chair
Swahili — Chair (Kiti Cha Enzi)
Charles Rohlfs — Hall Chair
Artist unknown — Armchair
Luigi Frullini — Armchair
Artist unknown — Armchair