Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This style of high-backed seat with bone and ivory inlay, known as a “chair of power” or “grandee’s chair” ( kiti cha enzi ), is a graphic reminder of the complex history of international trade and conquest in the region known as the Swahili Coast. As early as the first century, the region’s natural harbors invited exchange with partners in the Persian Gulf and Western India. Later the Portuguese, Omani, and British imposed their authority on its inhabitants. With each conquering state, newly imported goods and practices took root as symbols of authority and power among the Swahili elite. The upright form of the kiti cha enzi chair bears strong resemblance to sixteenth- and seventeenth-century chairs imported from Portugal and Spain, as well as to Portuguese- and Spanish-influenced examples made in India. Comparisons have also been made with chairs from the Mamluk period (1250–1517) in Egypt. In any case, the Swahili version is clearly the result of foreign influences that have been artfully synthesized and reshaped by local artisans. Most such chairs in collections today date from the nineteenth century and were made in large, specialized workshops. They could be found conspicuous
Be the first to share your thoughts.
Sign in to join the discussion.
Coromandel Coast, probably Madras (Chennai), India — Armchai
Jacob Keller — Side Chair
Northern Europe — Armchair (one of two)
David Wolcott Kendall — Armchair
Peter Bonnett Wight — Dining Room chair
Charles Rennie Mackintosh — Armchair
Augustus Welby Northmore Pugin — Side Chair
Harvey Ellis — Rocking Chair
Artist unknown — Armchair
Artist unknown — Armchair
Artist unknown — Side Chair
Charles Rohlfs — Hall Chair