Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Once interpreted as Lucas van Leyden’s self-portrait, this print is sometimes entitled Memento Mori (Remember you must die). The well-dressed, anonymous figure considers his mortality while pointing at the human skull (which may or may not be real) tucked under his cloak. This image predates by eighty years Shakespeare’s Hamlet, with his famous speech on poor Yorick’s fate, traditionally delivered with the jester’s actual skull in hand. If the round Dürer Crucifixion (1956.951) was printed from Emperor Maximilian’s hatpin, which was also made in 1519, it would have resembled the tiny face stylishly worn on the cap of this unidentified man.
Be the first to share your thoughts.
Sign in to join the discussion.
Lucas van Leyden (Netherlandish, 1494–about 1533) — Portrait
Heinrich Aldegrever — Dancing Couple, plate five from The La
Heinrich Aldegrever — Dancing Couple, plate eleven from The
Heinrich Aldegrever — Self-Portrait at Age Twenty-Eight
Heinrich Aldegrever — Dancing Couple, plate nine from The La
Christoffel van Sichem, I — Bust of a Young Man with Feather
Heinrich Aldegrever — Couple Embracing, plate six from The L
Israhel van Meckenem, the younger — St. Anthony
Barthel Beham (German, 1502–1540) — Ferdinand I
Heinrich Aldegrever — Dancing Couple, plate seven from The L
Albrecht Altdorfer — The Little Standard-Bearer
Christoffel van Sichem, I — Man with Plumed Hat