DISCOVERART

George Cruikshank

La Poule

published June 4, 1817
Hand-colored etching on paper
24.7 × 35.2 cm (9.7 × 13.9 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.edu ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by George Cruikshank

Fashionable PortraitsFashionable PortraitsEngland's Only Hope DepartingEngland's Only Hope DepartingLa PouleLa PouleLes Graces - Inconveniences in Quadrille DancingLes Graces - Inconveniences in Quadrille DancingSpecimens of WaltzingSpecimens of WaltzingA Tailor in a High WindA Tailor in a High WindThe BeadleThe BeadleLacing in StyleLacing in Style

More like this

La Walse, from Le Bon GenreHannah Humphrey — La Walse, from Le Bon GenreLa Trenis ContredanseUnknown Artist French, 19th century — La Trenis ContredanseQuadrilles - Practising for Fear of AccidentsIsaac Robert Cruikshank — Quadrilles - Practising for Fear oDancing SchoolFrançois Dequevauviller — Dancing SchoolA La ModeThomas Rowlandson — A La ModeCostume Drawing: Lady and Gentleman DancingLouis Binet — Costume Drawing: Lady and Gentleman DancingBal Paré (The Jewel Ball)Antoine-Jean Duclos — Bal Paré (The Jewel Ball)Plate 14: Richardson's Show, from "World in Miniature"Rudolph Ackermann, London|Thomas Rowlandson — Plate 14: RichA Broad Hint of not Meaning to DanceJames Gillray — A Broad Hint of not Meaning to DanceL'Entrée au MuséeAnonymous, French, 19th century — L'Entrée au MuséeA soldier and a woman dancingVictor Adam — A soldier and a woman dancingThe Prospect Before Us, Respectfully dedicated to those Singers, Dancers, & Musical Professors, who are fortunately engaged with the Proprietor of the Kings Theatre, at the PantheonThomas Rowlandson|S. W. Fores — The Prospect Before Us, Resp