Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Augustin de Saint-Aubin was immensely successful as a designer and printmaker. He etched over 500 profile portraits and countless vignettes for book illustrations. Antoine-Jean Duclos, who specialized in illustration, was one of his best pupils. Duclos is known for two large engravings- The Concert and al Pare that he made in 1774 after drawings shown by Augustin in the Salon of 1773. In this print, Edmond and Jules de Goncourt noted Augustin had "the unique fortune of having fixed the physiognomy of France in its most delicious moment.”
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Augustin de Saint-Aubin|Antoine Jean Duclos — Le Bal Paré
Antoine Jean Duclos|Augustin de Saint-Aubin — Le Bal Paré
Augustin de Saint-Aubin|Antoine Jean Duclos — Le Bal Paré
Charles Antoine Coypel|Jakob van Schley — Plate 30: Don Quix
Jean-Michel the Younger Moreau (French, 1741–1814) — Royal F
Jean-Michel the Younger Moreau (French, 1741–1814) — Masked
Jean-Michel the Younger Moreau (French, 1741–1814) — The Mas
Augustin de Saint-Aubin|Antoine Jean Duclos — The Concert
Jean-Michel the Younger Moreau (French, 1741–1814) — The Roy
François Dequevauviller — The Drawing Room
Pierre Antoine Baudouin|Jean-Baptiste-Blaise Simonet — Le da
Augustin de Saint-Aubin|Antoine Jean Duclos — The Concert