Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Ferdinand Bol studied with Rembrandt van Rijn in Amsterdam, where he set up his own shop around 1642. Two years later, he produced this atmospheric etching of Saint Jerome, which is particularly reminiscent of the master in its shadows and arched top. Although his early works were long mistaken for Rembrandt’s, Bol signed this print at the bottom right. He would eventually trade the dark palette and historical figure studies of the older artist for a lighter tonality and more elite clientele, which would make him one of the most financially successful Dutch painters of his era.
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Portrait of a woman
Portrait of a Man
Petronella Elias (1648–1667) with a Basket of Fruit
Margarita Trip as Minerva, Instructing her Sister Anna Maria
Michiel de Ruyter als luitenant-admiraal
Portrait of an Old Lady, possibly Elisabeth Bas
Pharoah's Daughter Discovers Moses in the Rush Basket
Venus and Adonis
Ferdinand Bol (Dutch, 1616–1680) — St. Jerome in Penitence
Jean Jacques de Boissieu — St. Jerome
Jusepe de Ribera — St. Jerome Hearing the Trumpet of the Las
Cherubino Alberti — Saint Jerome in the Desert
Guido Reni — Saint Jerome
Antonio Tempesta — St. Anthony with the Boar
Rembrandt van Rijn — Male Nude Seated and Standing
Jusepe de Ribera — Saint Jerome Listening to the Trumpet of
Albrecht Dürer — Saint Jerome by the Pollard Willow
Rembrandt van Rijn (Dutch, 1606–1669) — St. Francis Beneath
Giovanni Benedetto Castiglione — Diogenes Seeking an Honest
Rembrandt van Rijn — St. Francis Beneath a Tree Praying