Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Cherubino Alberti’s mastery of illusionistic foreshortening effects is particularly evident in Saint Jerome’s cross, and the hand holding it is reminiscent of Michelangelo’s renowned Creation of Adam fresco. Indeed, in light of his artistic accomplishments, Pope Clement VIII pardoned Alberti of a conviction for murder. The books at Jerome’s feet allude to his translation of the Bible into Latin, which earned Jerome the title of the patron saint of libraries. Jerome was also known for a having a bad temper, and he often used his pen to target those he saw as enemies of the truth.
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Minos and Demons, from the Last Judgment
Portrait of King Henry IV of France in a decorative border
The Adoration of the Shepherds with the Christ Child at cent
The Sacrifice of Isaac set in a landscape with a flock of sh
Portrait of Pietro Angela da Barga, bust-length and in a dec
Christ supported by an angel standing on a cloud
Christ supported by an angel standing on a cloud
Angel supporting Christ, who is also resting on clouds
Cornelis Cort|Girolamo Muziano|Bonifazio Breggio — St Jerome
Cornelis Cort|Girolamo Muziano|Bonifazio Breggio — St John t
Salvator Rosa — Dream of Aeneas, Aeneas rests on his shield,
Pierre Lombart (French, 1612–1682) — Aeneid
Cornelis Cort|Girolamo Muziano|Bonifazio Breggio — St Onuphr
Cornelis Cort|Girolamo Muziano|Bonifazio Breggio — St Jerome
Albrecht Dürer — Agony in the Garden, from The Large Passion
Cornelis Cort|Girolamo Muziano — St Eustace in the Wildernes
Hendrick Goltzius — Christ Taken Captive, from The Passion
Salvator Rosa — Democritus in Meditation
Albrecht Dürer — The Harrowing of Hell, from The Large Passi
Willem van Swanenburgh — Judas Iscarioth, from Sinners of th