Jean Louis André Théodore Géricault
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Although he was famed as a painter, Théodore Géricault feared that he could never rival the work of his predecessors. Thus, he embraced the invention of lithography in the late 18th century as an opportunity to become the master of a new medium. In lithography a grease crayon was used to draw on a smooth stone, a process more similar to painting and drawing than other forms of printmaking. The development of Géricault’s work mirrors the exploration of lithography’s possibilities; here, for example, the artist experimented with the use of subtle contrast.
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Head of a Guillotined Man
Seven Sketches of Pairs of Boxers or Wrestlers
Sketches: Stable Boy Carrying a Bucket
General of the First Empire Giving his Cavalry Orders to Cha
Portrait of a Man
Sketch of a Horse Facing Right and a Caricature in Profile
Caricature of a Man Wearing a Broad-Brimmed Hat
Studies of a Grenadier and a Munitions Cart
Rodwell & Martin|Théodore Gericault|Charles Joseph Hullmande
Théodore Géricault (French, 1791–1824) — Various Subjects Dr
Charles Émile Jacque — Parisian Courtyard
Cornelis Visscher — The Pistol Shot
Théodore Gericault — Two Post Horses at the Door of a Stable
Charles Émile Jacque — Courtyard Interior
Théodore Gericault — The English Blacksmith
Horace Vernet — Mail Coach
Johann Adam Klein — Farmer and His Cart
Charles Émile Jacque — The Storm
John-Lewis Brown — Cour de Caserne
Carel Nicholaas Storm van's Gravesunde — Mill in the Cressbe