● On view now — Gallery 237
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Saints Augustine and Peter and Saints John the Baptist and Catherine of Alexandria —identifiable by their clothing, attributes, and Latin inscriptions—once flanked a larger central image, probably of a Virgin and Child. The frames were made in the early 20th century, but they reflect the architectural style and motifs typical of 14th century Venetian altarpieces. The leading Venetian painter of his time, Paolo Veneziano combined sinuous Gothic contours, sumptuous textile patterns, and severe facial types influenced by contemporary Byzantine art. This mix of styles reflects Venice’s role as the center of a vast trade network encompassing Western Europe and the Byzantine Empire and extending as far as East Asia and sub-Saharan Africa.
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Saints Procopius and Adalbert
Bicci di Lorenzo — Saints John the Baptist and Matthew
Standing Saint
Bartolomeo Bulgarini — Saints Matthias and Thomas
Follower of Barna da Siena|Follower of Lippo Memmi (Italian,
Standing Saint and Saint in Red Cloak (pair)
Saint in Red Cloak
Gherardo Starnina — Twee evangelisten
Lorenzo Monaco (Piero di Giovanni) — Moses
Giovanni di Paolo (Giovanni di Paolo di Grazia) — Saints Mat
Bartolomeo Vivarini — A Saint (Mark?) Reading
Gherardo Starnina — Twee evangelisten