● On view now — Gallery 237
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Saints John the Baptist and Catherine of Alexandria and Saints Augustine and Peter —identifiable by their clothing, attributes, and Latin inscriptions—once flanked a larger central image, probably of a Virgin and Child. The frames were made in the early 20th century, but they reflect the architectural style and motifs typical of 14th century Venetian altarpieces. The leading Venetian painter of his time, Paolo Veneziano combined sinuous Gothic contours, sumptuous textile patterns, and severe facial types influenced by contemporary Byzantine art. This mix of styles reflects Venice’s role as the center of a vast trade network encompassing Western Europe and the Byzantine Empire and extending as far as East Asia and sub-Saharan Africa.
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Bicci di Lorenzo — Saints John the Baptist and Matthew
Master of the Orcagnesque Misericordia — Head of Christ
Icon of the New Testament Trinity
Lorenzo Monaco (Piero di Giovanni) — The Intercession of Chr
Bernardo Daddi — Christ Enthroned with Saints
Italian, Neapolitan Follower of Giotto — Saints John the Eva
Segna di Buonaventura — Christ Blessing
Bartolomeo Bulgarini — Saints Matthias and Thomas
Gherardo Starnina — Twee evangelisten
Byzantine Painter — The Presentation in the Temple
Spinello Aretino (Spinello di Luca Spinelli) — Saint Mary Ma
Christus aan het kruis, met Maria en Johannes