Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the third quarter of the 18th century, a young generation of artists developed a sober, almost classicizing reaction to the artificial frivolities of artists like François Boucher. Greuze depicted scenes from daily life that were intended to be inspirational or morally uplifting. This drawing is a study for his painting of 1778 (now in the Musée du Louvre, Paris) showing the errant son who has returned home just as his father has died.
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Guercino — Study for Jacob Blessing the Sons of Joseph (rect
Lucas Kilian — Miracle of the Loaves and Fishes
Bartolomeo Biscaino|Jan Miele — The Mystic Marriage of Saint
Giovanni Battista Tiepolo (Italian, 1696–1770) — Flight into
Jean-Baptiste-Marie Pierre (French, 1713–1789) — The Descent
Rembrandt (Rembrandt van Rijn) — Christ Carried to the Tomb
Jusepe de Ribera (called Lo Spagnoletto) — Adoration of the
Pietro Testa|Anonymous, 18th century — The adoration of the
Anonymous, German, 18th century|Bernhard Rohde — Figures Sur
Wilhelm von Kaulbach — Illustration for Reinecke Fuchs: Tomc
Giovanni Battista Cipriani|Anonymous — A group of nine women
Benjamin West — The Death of General Wolfe