Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
On the occasion of Cardinal-Infante Ferdinand’s triumphal entry into Antwerp in 1635, Peter Paul Rubens designed temporary arches and stages to decorate his procession route through the city. Triumphal processions of this kind were common forms of political theater, enacted to consolidate the power of a regent or monarch. The stage in memory of Isabella Clara Eugenia (2015.11) served to reinforce the dynastic transfer of authority from Ferdinand’s predecessor, who had governed the southern Netherlands from 1598 until the time of her death in 1633. The central image of the stage in her honor, enlarged in the accompanying print (2015.12), shows Ferdinand’s appointment by Philip IV, while the flanking columns represent effects of good government—public health and public safety.
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Allegory of the Farewell of William III from Amalia van Solm
Neptune
The Adoration of the Magi
Isaac and Rebecca at Well
The Marriage of Maximilian of Austria with Mary of Burgundy
The Return of Ulysses
Firework around the Antwerp Cathedral, plate 41 from Casperi
Genealogical Tree of the Austrian Royal Family, plate 32 fro
Giacomo della Porta|Cavaliere d'Arpino (Giuseppe Cesari)|Gio
Carl Joseph Haringer — Study for an Altar Containing a Paint
Johannes Meursius — Plate 27: Triumphal arch, elevation of t
Johannes Meursius — Plate 19: Triumphal arch, elevation of t
Georg Gottfried Winckler|Johann Michael Leüchte — Design for
Girolamo Rainaldi|Giovanni Giacomo De Rossi|Cardinal Alessan
Martin Engelbrecht|Johann Michael Leüchte — Design for a Mon
Martin Engelbrecht|Johann Michael Leüchte|Georg Gottfried Wi
Johann Michael Leüchte|Martin Engelbrecht — Design for a Mon
Anonymous, Italian, Piedmontese, 18th century — Design for A
Martin Engelbrecht|Carl Pier — Design for a Monumental Altar
Pietro Antonio Torri|Girolamo Campagna|Giovanni Girolamo Gra