Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albrecht Dürer resorted to legal action to protect his artworks from copyists, based in part on Marcantonio Raimondi’s practice of reissuing woodcuts from Dürer’s Life of the Virgin book as engravings. This secular engraving (representing two lovers acting out of ulterior, financial motives) is one case in which the print media matches the original. Stylistically, there is no comparison between the intricacy of Dürer’s lines and Marcantonio’s dryer flecks and outlines. But contemporary buyers did not always know the difference. Although Dürer won the right to exclusive use of his “AD” monogram, the Venetian senate ruled that his images could still be copied.
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Speculum Romanae Magnificentiae: Galba, from The Twelve Caes
Hercules, grasping Antaeus at the waist with both arms and l
The Massacre of the Innocents (Without the Fir Tree)
Apollo on Parnassus, Surrounded by the Muses and Poets
Speculum Romanae Magnificentiae: Nero, from The Twelve Caesa
Speculum Romanae Magnificentiae: Vespasian, from The Twelve
Martyrdom of Saint Lawrence
Two Fauns Carrying a Child
Albrecht Dürer — The Ill-Assorted Couple
Albrecht Dürer (German, 1471–1528) — The Offer of Love (or t
Albrecht Dürer (German, 1471–1528) — The Offer of Love (or T
Albrecht Dürer — Ill-Matched Couple
Albrecht Dürer — The Ill-Assorted Couple
Master MZ — Two Lovers
Lucas van Leyden (Netherlandish, 1494–about 1533) — The Temp
Lucas van Leyden — Abraham Sending Away Hagar
Lucas van Leyden — Rest on the Flight Into Egypt
Lucas van Leyden — The Temptation of St. Anthony
Albrecht Dürer — Young Couple Threatened by Death (The Prome
Albrecht Dürer|Master IQV|Giulio Romano — Saint John and Ant