Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Frederic Remington was greatly impressed by the Mexican army, which he observed during a six-week visit to Mexico in 1889 in preparation for an article in Harper’s Weekly magazine. The Mexican Major is an elaborate, multifigural composition, designed to convey the professionalism, discipline, and “immensely picturesque” appearance of the officer and his regiment. Remington enjoyed the soldiers' ornate costumes, and he emphasized these through the use of rhythmic, flashing colors and the depiction of brilliant light. The line of horsemen stretches off into the far distance—a sign of honor, strength, and dignity.
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Édouard Detaille (French, 1848–1912) — Combat for the Colors
Alphonse-Marie-Adolphe de Neuville — A Cavalryman
George Hendrik Breitner — Hussars
Joseph Moerenhout — The Horse Race
Édouard Detaille (French, 1848–1912) — Mounted Dragoon Offic
Edouard Detaille — French Cuirassier
Édouard Detaille (French, 1848–1912) — Soldiers
Ernest Meissonier — 1807, Friedland
Jean Baptiste Édouard Detaille — Mon Ancien Regiment
Adolf Schreyer — Arabs on the March
Pieter Gerardus van Os — Cossack Outpost in 1813
Auguste Raffet (French, 1804–1860) — Cavalry Charge