● On view now — Gallery 161
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A technical achievement in bronze, this composition of a cowboy attempting to tame a horse portrays an idea of the Western United States in dramatic and violent terms: white settler-colonialists in the act of subduing nature and flesh. As a painter and illustrator, Frederic Remington garnered success by crafting mythic, romanticized views of frontier life; The Bronco Buster was his first attempt to do so in sculpture. For white audiences living east of the Mississippi River at the turn of the 20th century, the artist's triumphant figures came to represent a singular—and distorted—vision of an unfamiliar American West.
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Solon Hannibal Borglum — Lassoing Wild Horses
Pierre-Jules Mêne — African Hunter
Emmanuel Fremiet — Saint George Slaying the Dragon
Francesco Fanelli — Centaur Abducting a Nymph
Antoine Louis Barye — Cheval Turk
Thomas Thornycroft — Queen Victoria on Horseback
Jean Louis Ernest Meissonier — Cuirassier with Drawn Sword
Franz von Stuck — The Amazon
Hilaire Germain Edgar Degas — Horse with Jockey; Horse Gallo
Charles Schreyvogel — The Last Drop
Antoine Louis Barye — Python and a Gnu
Jean-François-Théodore Gechter — L'Amazone blessée