China; probably from Henan province
● On view now — Gallery 133
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These triangular sculptures originally fit under the pitched roof of a burial chamber constructed of clay bricks. The position of similar panels discovered intact suggests that they originally formed two ends of a pediment that divided a chamber in half. The panels are carved and painted to depict winged figures mounted on dragons striding over hills or waves. In Han mythology, such beings are described as immortals (xian). Having achieved eternal life, these immortals were endowed with the power to fly and roamed freely about the universe. The depiction of these remarkable beings in tombs reflects a widespread belief that the soul of the deceased could leave its earth-bound existence, ascend to heaven, and become an immortal. The ascent of the soul to the realm of the immortals is a major theme in Han art.
Be the first to share your thoughts.
Sign in to join the discussion.
Dogon — Equestrian Figure
China — Standing Attendant (Tomb Figurine)
Yoruba — Headdress (Jagún Jagún)
Ancient Etruscan — Statuette of Herakles
China — Grave Guardian Beast (Zhenmu Shou)
Adler & Sullivan, Architects — Newel Post from the Morris Se
Yoruba — Mask for Egungun (Ere Egungun)
Muisca — Figurine (Tunjo) of a Standing Figure with Crossed
Ancient Egyptian — Curling Iron or Hair Crimper
Ica — Balance-Beam Scale with Cut-Out Bird and Step Motifs
Ancient Egyptian — Amulet of an Aegis with the Head of the G
Ancient Egyptian — Amulet of an Aegis with the Head of Hatho